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4.7 out of 5 stars

Sony MDR7506 Wired Professional Stereo Headphones

$74.99
$99.99 25% off Reference Price
Condition: New
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Top positive review
201 people found this helpful
Superb Headphones and Excellent Value (with comparison to Sony MDR-V6)
By Phil in Magnolia on Reviewed in the United States on May 22, 2013
I purchased these Sony MDR-7506 headphones a couple of months ago. More recently, I've also purchased Sony's very similar (but not identical - see below) Sony MDR-V6 Monitor Series Headphones. My reason for purchasing a second pair (and getting both models) was because the V6's were very inexpensive at the time I ordered ($30 cheaper than the 7506's), and because I was curious to see if I could tell a difference between the two. In reading many of the reviews here on Amazon and elsewhere, I knew that the two are constructed very similarly but there were different opinions regarding both the differences (if any) and which has the superior sound. These are both headphones in the $100 and below price category, which seems like a reasonable price to pay for high quality sound. I do not like to listen to music using earbuds, I prefer this style of "over-the-ear" headphone. although it does take some getting used to. I also have very inexpensive Koss KSC75 Portable Stereophone Headphones for occasions when I don't want to use my more expensive Sony's. I am very satisfied with the sound quality from these headphones (both models), and with the comfort. They are the first "quality" headphones that I have owned, and the level of detail in the sound, lack of distortion, and overall quality is simply superb. I am completely satisfied. Now, regarding both similarities and differences between the Sony MDR-7506 and Sony MDR-V6, here is what I have found: - externally, they are almost identical in construction and appearance. The V6 has red stickers on each headphone "for Digital", and the 7506 has blue stickers "Professional". The phono jack for the V6 is silver metal (all metal), for the 7506 is gold (rubber and gold). Those are the only visible differences I am able to detect. - when I listen to the two headphones back to back, at the same volume level and with the same music, I can detect a slightly clearer treble and midrange from the 7506, and very slightly clearer sound. This is consistent with several of the other reviewers on Amazon for the 7506, who say they can detect a slightly better sound separation and more open sound for the 7506, with the V6's sounding a bit warmer. One reviewer also says that the internal grounding for the two headphones is different - the 7506 uses a separate internal ground for the left and right channels, where the V6 uses a single ground for both channels. (It seems to me that both grounds are going to the same place anyway, but if this is true - and I am not able to confirm whether or not it is - then maybe this contributes to a slightly different sound). - some reviewers state that the internal speaker drivers are different for the two headphones. However when I went to Sony's website to check the specifications for the two models, that is not what I found. And here is what the Wikipedia page states for these headphones: "both models share the same part number for their driver, but the magnet therein is known to vary. The MDR-7506 was introduced with a samarium-cobalt magnet, as is currently used in the MDR-V6. However, at some point, the MDR-7506 switched to the slightly more powerful neodymium magnet. These changes were made without changing the driver part number." - The box for the 7506 states "neodimium magnet". The operating instructions included with the V6 state "samarium cobalt magnet". Possibly either or both of these are out of date (as Wiki states, they may make spec changes over time) - the 7506 box is copyright 1994, and the V6 copyright is 1996. - The 7506 box includes an exploded view and parts list, which is very nice to have. The V6 box does not. - Both headphones include a soft case for storing/carrying the headphones, and both include an adaptor plug so that the headphone can be used with either a stereo mini-plug or a normal size plug. UPDATE 7/22/13 and 7/30/13: The Sony MDR-V6 and MDR-7506 headphones have just recently been reviewed by CNET, with similar comments to my own regarding the small differences in sound quality. Both headphones receive a very high recommendation from CNET. See the MDR-7506 review at [...] and the MDR-V6 review at [...] According to the specifications on Sony's website (which should be up-to-date), the only difference between the two headphones is frequency response: - MDR-7506: - Neodymium magnet, 40.0 mm driver, 10-20kHz frequency response, 63 Ohm impedance, 106 dB/W/m sensitivity - MDR-V6: - Neodymium magnet, 40.0 mm driver, 5-30kHz frequency response, 63 Ohm impedance, 106 dB/W/m sensitivity I am not able to explain how Sony is claiming different frequency response for the two headphones if all of the other specs are identical, but this is what they are saying. And I do believe that the two headphones have slightly different sound. Although there is a slight difference between the 7506 and V6, the sound from both headphones is very neutral. The "professional" choice between the two seems to be the 7506, and it is the more expensive model. If you read other reviews you will find that the 7506's are commonly used by studio engineers, because they are designed to reproduce the sound just as it is, without adding emphasis to the bass as some other headphones are designed to do. At this point, for me they are both excellent, and for thirty bucks less I'd go with the V6 if I could have only one of the two. I've been using these headphones with the Audioengine D1 24-bit digital-to-audio converter, and I am extremely pleased with the quality of the sound. As a final comment, some owners of these headphones comment that the ear pads wear out over time, and some owners also prefer different ear pads for better comfort. I also purchased a pair of Beyerdynamic EDT 250 Velour Padded Earcushions for this reason, and although I have not yet given them a try to compare them with the ear pads that come with the Sony headphones, I do like the fact that it is possible to fit different ear pads if desired in order to provide more comfort, as well as replace them when they have become worn (some owners use these headphones for many years). I notice that there are a very large number of reviewers for these headphones, many of them long-time owners who feel very strongly that these Sony headphones are the best. I'm just beginning to use them, but I have high hopes that they will be durable over time and that I will continue to be as satisfied with them as I am today.
Top critical review
57 people found this helpful
First impressions - well made, sonic fun factor: the jury is still out...
By YeahSoMaybe? on Reviewed in the United States on February 17, 2013
I've had these headphones about a week (as of 2/17/2013). I've done about 40 hours of "burn in". The GOOD: They are very comfortable to wear and have very low leakage. I'm very impressed that packed with the headphones (the back card) is the entire list of EACH and * EVERY * part in the headphone in an exploded diagram. This implies that you can - if you wanted - repair these instead of treating them as a throwaway item in this throwaway society. I applaud this. SONIC INITIAL IMPRESSIONS: HIGHS: I like that the highs are very clear yet unexaggerated - without cutting your ears to pieces. This is something I find most headphones fail at. Sony has figured how to EQ the treble without going over the cliff , or faltering so to speak. MIDRANGE: Initially a bit forward, it is rapidly getting mellower with burn-in. BASS: It's there but on it's own terms. I.e. you are not going to EQ this into a bass monster. It has it's own mind. You can almost go backwards by trying to EQ this for more bass...because...deep deep is there accurately and maddeningly distant but you'll cloud it by punching up 60 - 250hz stuff. You'll also affect the overall "slam" to some degree by punching up the bass. SOUNDSTAGE: Clinical, "Scientific" and Delineated to an almost maddening degree...... THE BAD: Lack of Audio "Comfort Food" I had seen reviews of various "Studio" type headphones alluding to this and went "Well...what IS your problem OK? So it's delineated and clear..how can you go wrong???" Well.... First of all, the clarity of these headphones makes listening to MP3s - especially any Lower bitrate MP3s immediately tedious. I've never experienced that difference so quickly and it's not necessarily a good thing. You will hear the that the MP3 audio masking / compression has "dried up" a lot of the studio ambience, reverb, etc. I've never been forced to notice this until now. But, lets say for purpose of discussion you are listening to high quality recordings in a good format (CD - Red book audio "WAV" format 16bit 44.1 Khz uncompressed or better like SACD , DVD Audio, HDCD, etc).... OK groovy. The sound is all clear, the sound is ALL here, every detail present and accounted for ...but but... ---> you'll feel like a "Scientist" listening to your favorite music with these headphones. <----- Again you go "WHAT'S YOUR PROBLEM PAL ? !!!!" I'll tell ya: There's a part of me that screams out "For God's sake give me some , * some * SLOP or even the tiniest bit of SLOP or humanity! Some integration on the audio canvas, PLEASE!" Example: Let's say there are 16 instruments or overlaid tracks on a song - well...by God you hear each and every one of them happening bass to treble as a DELINEATED instance and ...it can be uncomforting and disconcerting in the way the sound hits your soul. They all hit your ears in the same time but are not "experienced" by me as integrated and fun / musical. I feel like a clinician with the microscope listening to music with these. Imagine the grammar Nazi's designing headphones! Emily Post with an IQ of 180 designing headphones. NOTE: These comments are about audio design- not the "high frequencies" per se. The high frequency EQ on these headphones are just fine - commendable in fact. IN SHORT: These headphones are high quality and many things - probably a godsend to an engineer who wants to know every nuance of what's going on but they are NOT Audio "Comfort food". There are no mashed potatoes with gramma's best gravy here. Your audio is delivered by the best scientific audio accounting design team that ever walked the Earth! You'll laugh and think I'm crazy - but buy these and you'll see! I hope burn-in will change my opinion on the fun factor on these. They have made me realize that I don't want to scrutinize my music like an ant farm under a microscope - I want to ENJOY and FEEL my music on an INTEGRATED audio canvas/ soundstage. There is a difference. I want the music to hit my heart viscerally - not clinically. Your mileage may vary - this is just one man's opinion. I feel they gave a fair product for what they are charging. Certainly they are not crap or "bad" low quality headphones. By the way I have a couple of decent separate headphone DAC boxes - no difference. I do think / speculate that a tube amp could "save" these. Something that gives a slight blur or wash of even ordered harmonics....integration ....anything.... SAVING GRACE: These phones are good candidates for affordable travel headphones (long plane flight) where you don't want leakage to bug your immediate seat neighbors but also don't want to drop $300.00 for special noise cancelling headphones. I will keep these but I will renew my search for "Audio comfort food". Other Bright Spots / exceptions to my complaints: One song that is a revelation on these headphones is "Move Over" by Janis Joplin - these bring the dueling piano and guitar parts into perfect relief. Traffic "You Can All Join In" very enjoyable in it's clarity. Also if you ever wondered what someone said or mumbled in the background - you'll hear it with these. P.S. Some perspective: I tend to listen to old school rock (Beatles, Stones, Clapton, Zep, Floyd, Traffic, Nik Kershaw, Karla Bonoff, Neil Finn, Bowie, Robert Palmer, James Taylor, Mama's and Papa's, etc) and on the flip side Bach, Chopin preludes, Beethoven (symphonic and piano concertos, sonatas) and some jazz(Weather Report, Brubeck, Airto, Guaraldi). So far my favorite older headphones are the discontinued Koss A-250 closed back headphones. Those were Koss's one attempt at making audiophile headphones. They were leaky as hell and had durability issues but were fun and musical to listen to. Have also owned various mid-level Sennheisers over the years.

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